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Carlos Santana command attention at center stage in a trade mark hat.

I hang both those tags on Carlos Santana, a man born in Mexico who played the Woodstock Festival of Art and Music down the road from us in the mud of Max Yasgur's Bethel farm at the age of 22 years old in August,and has amazed all with the sounds that come out of his guitar and the sense that comes turning stone event center pictures of his mouth ever sense.

My favorite singular moment, band turning stone event center pictures, came when Ortiz stepped forward to stand beside his boss for a turning stone event center pictures guitar-and-trumpet call-and-response string.

In my decades of concert-appreciation, I do believe that was a first. View the discussion thread. When Carlos Santana spoke to the crowd, he told them that one of his sayings is that "It's the first time ever, for everything. The video screen behind the band alternated shots between the Carlos of then and the band of now.

World music. The moment Santana walked to the center of the stage, surrounded by a piece band, wearing a black hat, looking younger than his 67 years, the turning stone event center pictures that came from his guitar to fill this all-purpose space was wild, wonderful, thrilling and soothing.

Sold-out crowd of 5, enjoys Santana's guitar work at Turning Stone. During the intoxicating beats of "Jingo-lo-ba," the video screen interspersed film of real African dancers wearing traditional clothes moving with exotic and exacting steps to turning stone event center pictures primal sound of the song by Babatundi Olatunji that Santana famously covered as "Jingo" on his debut album and at Woodstock, and fans around the stage throbbed and pulsed right along.

Carlos Santana knew how to add touches, little and big. Hit it rich blackjack jackpot classics were just that.

Then came "Soul Sacrifice" in the encore, more generational time-traveling, without an smidgen of discomfort for anybody in the hall. Share Tweet Email. Smart man, this Carlos Santana, to bring a caravan of talent for a tour called "Corazon," two lead singers who also played hand percussion up front, two percussionists to add power to the drummer's beats on the click the following article line, a trumpeter and trombonist for flavor, a bassist-singer for foundation, keyboardist and second guitarist for flair.

All showed endless heart as the 90 minutes of music pulsed on. Worldly music. I opened my eyes quickly, though, because I did not want to miss seeing Carlos as he is now on stage, still loving this, as he led the band immediately into the familiar strains of that Tito Puente composition he turned into a household standard, just like they were sequenced on the vinyl, "Oye Come Va.

Mathews; and guitarist Tommy Turning stone event center pictures. At the end of songs, he'd throw in the turning stone event center pictures of a famous riff.

Santana did not look old, and the music did not seem stale. During "Smooth," the Rob Thomas-era collaboration that came more than three decades later, the crowd moved together in more modern rhythm to close the set proper.

Carlos Santana.

Credit Mark Bialczak.